MAINE CHANCE BEAUTY SPA
Elizabeth Arden transformed her summer home in Maine into a fashionable health and beauty spa in 1934. The name was a double-entendre for her middle-aged clientele who saw it as their “main chance” to recapture youth. Combining elements of a women’s club with those of European health spas, Maine Chance offered a program that included diet, exercise, sports, yoga, facials, and massage.
A lesson in makeup and weight and body measurements were part of the spa’s program.
Maine Chance
Elizabeth Arden, Inc.


Arden counter at I Magnin in San Francisco.
I Magnin couter in San Francisco
Elizabeth Arden, Inc.

ELIZABETH ARDEN (1878?-1966) rose from poverty in rural Canada to play a central role in the beauty business in the early 20th century. Born Florence Nightingale Graham, she reinvented herself as Elizabeth Arden and built a $20 million empire that defined success in the beauty industry. With cosmetics as her central product, Arden opened a network of salons worldwide, and harnessed science and technology in the service of beauty. Her global business coincided with women's emergence in public life and, as a result, helped to link beauty to the growing movement for women's rights.

A high school dropout, Graham followed her brother to New York in 1908, where she sought work and independence. After a series of nondescript jobs, Graham landed a position at Eleanor Adair's beauty salon, where she learned facial massage. She went into business with Elizabeth Hubbard, but soon set out on her own and renamed herself Elizabeth Arden. She borrowed $6,000 from her brother and decorated her salon in the lush pink that became her signature color. Her creative marketing plan emphasized youth and beauty and targeted two groups: middle-aged women seeking to recapture their youth and plain women hoping to find beauty in a jar. She opened her first branch salon in Washington, D.C., in 1915, attracting social and political hostesses; this was a turning point in her career. During the Depression, she did not hesitate to expand her New York salon on Fifth Avenue to seven floors and employed over 1,000 workers worldwide.


In 1920, French model Cecille Bayliss, wrapped in a nun-like head covering to symbolize purity, became the Arden trademark for 20 years. Elizabeth Arden received a French patent for this image in 1931.
Model Patent
Elizabeth Arden, Inc.

Behind Arden's feminine facade was a tough, relentless employer who turned the cosmetics industry into a multimillion-dollar business. Arden, unlike many enterprising women, gave little thought to bringing in other women to share her wealth. She singlemindedly pursued her goal "to be the richest little woman in the world."

Portrait Photo at top — Elizabeth Arden by Becker and Maass, Berlin, c.1928. Elizabeth Arden, Inc.
 
Further Resources


Nancy Shuker, Elizabeth Arden: Cosmetics Entrepreneur (Englewood Cliffs, N.J.: Silver Burdett Press, 1989); “Lady’s Day in Louisville,” Time (May 6, 1946); There is no definitive biography of Elizabeth Arden. In addition to Shuker, Elizabeth Arden, and “Lady’s Day in Louisville,” cited above, one may gather information from a range of sources. See Alfred Allan Lewis and Constance Woodworth, Miss Elizabeth Arden (New York: Coward, McCann & Geoghegan, 1972); Peiss, Hope in a Jar; Albro Martin, “Elizabeth Arden,” Notable American Women: The Modern Period (Cambridge: Harvard Univ. Press, 1980); Carol P. Harvey, “Elizabeth Arden,” in Frank Magill, ed., Great Lives from History: American Woman Series (Pasadena, Calif.: Salem Press, 1995); “ ‘I Am a Famous Woman in This Industry,’ ” Fortune (October 1938); Margaret Case Harriman, “Profiles of Glamour, Inc.,” The New Yorker (April 6, 1935). Obituary in the New York Times, October 19, 1966.